about

This project, this collection of tea towels was an idea born of a woman whose restless mind wondered about the old saying “It takes a village to raise a child.”

Where are the villages? How do we manage the expectations of family and community? Where do we find support? Who do we turn to when we need assistance? These tea towels bear witness to the circumstances of each experience… and that of our times.

As a graduate student at the Rhode Island School of Design, I found myself confronting limitations—those of being a mother, wife, student and teacher. I wondered how I would manage the expectations of the combined roles? These cloths bear witness to the circumstances of that experience… and that of our times.
       
If this experience resonates with you, and you have a tea towel (or dishtowel) that you would like to share, please go to tell us Your Story and upload your story and images.

archive

This collection is a gallery dedicated to showcasing tea towels. Each cloth has its own personality and character, its own drama and its own story or perhaps stories to tell. They embody the invisible hours of caretaking often given without any expectation of recognition or reward.

Close-up of a black and white checkered fabric with distressed frayed edges and minor tears.

This is my dishtowel. I bought it many years ago, when we married and the kitchen was white (1986). That was in our old house in West Roxbury, MA. The towel is older than Aldi (my oldest son), since moving to Wayland.

It has dutifully served our family needs. I have tried to dispose of it without success. It always reappears. It has many lives.

— Gunta K.

A worn checkered fabric piece with stains and holes, featuring a small tag on the right side.

Well here it is, finally, the mother of all old towels. I say that very lightheartedly, because this towel has been with me (a man) since my mother and father packed it with my other necessities on my “Spriditis” journey to Louisiana in 1981. I can still visualize the hot bread, fresh out of the oven, mom would cover with this towel, as she set the aroma filled loaf on the counter. Every now and then my memory recalls the aroma… Never could seem to separate myself from this towel and if a purpose for its maturity is to stretch and make a final connection between Wayland and, wherever, then let it be so. I formally bequeath this towel to you sister.

— Rolands A.

My brother refers to “Spriditis”, a mythical character from a Latvian folk tale written by Anna Brigadere.“Spriditis” is the youngest of the three brothers who leaves his home and goes on a journey to make his fortune. He is considered the fool, the unlearned, the unknowing one, yet he masters all of the trials set before him by various encounters with larger and more powerful mythical characters. He returns successfully to his home having mastered all of life’s difficulties. 

A white, crumpled paper napkin with a decorative lace border in the top left corner.
Close-up of a white crocheted lace fabric with a floral pattern, placed on a gray textured surface.
Close-up of a gray fabric with decorative crochet lace edges

This hand embroidered cloth is from my grandmother. 

— Olga A.

Colorful woven textile with a checkered pattern of red, yellow, green, blue, and beige squares, with frayed edges and a small hole on the right side.

I bought the towel at the Dansk outlet in Kittery, Maine, on one of the many trips I made up to my vacation house there on Frye Island, Sebago Lake, town of Raymond, Maine. (That’s the house I sold for RISD tuition.)

— Elizabeth R.

A plain, light-colored fabric with the initials 'E.B.' embroidered in red near the top.
Close-up of fabric with red embroidered initials 'EB.'

This towel belonged to my husband Thomas’ German grandmother. Her initials E.B. are embroidered with red thread, typeface unknown.

— Lucy H.

A decorative holiday-themed towel with floral and ribbon patterns in red and green on a white background.

I am sorry this took so long. I guess my dishtowels are not that exciting. 

Several years ago, after my mother saw me run out of dry dishtowels, she decided to give me a large supply. She went to a flea market and bought dozens of towels. 

They had been produced for an occasion that had passed by (past holidays, calendars for years that had passed, long ago events, etc.) and were very inexpensive. They’re not very attractive, but they do dry dishes. I hope your project goes well.

— Sally L.

A decorative textile featuring scenes from The Granite State, including the Mount Washington Look and, The White Mountains, with images of mountains, a locomotive, a cable car, a cabin, and a large rock formation.

Years ago when we lived more frugally, Bill, my husband, would take our four children up to New Hampshire for Labor Day. It was my weekend off. 

My birthday is August 30th. This dishtowel was a gift from my youngest son David, then five years old. 

He was touched that I had saved it all these years. 

Life was different back then…

I’m not sure how my children are going to balance career and family.

— Marty M.

Close-up view of imprinted footprints or marks on a textured fabric or paper surface.
A white cloth with creases and dirt stains.

Latvian Homemaker 

— Detroit, MI

A rectangular woven rug with a checkered pattern and dark border, showing some wear and minor damage.

This dishtowel has been with me since I moved into my own studio apartment after college in 1989. I bought it because it matched my kitchenette and it looked nice. Truthfully, however, at that point it received little or no use. The dishtowel found its way into my boxes when I moved down to Villanova to go to law school. It was probably one of ten things I owned at that point—a bed, two dishes, a television, a towel, etc. While in law school, the dish towel got slightly more use than it did in my Winthrop studio apartment. It didn’t look as nice in my new kitchen. It didn’t match anything and it had a few stains. Nevertheless, buying a new dish towel was my last priority, then. When I had Douglas, during my last year of law school, I found many uses for it. It cleaned up formula and ‘spit-up’ and even doubled as an oven mitt more than once. It soon started to look ragged, but the more used it became, the easier it was to grab and clean up yet another disaster. 

Now this is a well-traveled dishtowel! After law school, it moved back to Boston with me and then up to Maine, where we three years together. (the previous sentence here seems missing a verb) It is amazing, really, that it made all of the moves! Most of my belongings came and went during that very busy time… The dishtowel did get very little use in Maine since we always ate in a cafeteria and there was little to no kitchen action. It looked horrible at that point, however, I really could not have cared less. I was unhappy in Maine—living in such a rural setting, and I disliked my job. Nothing got much attention in terms of making our home look good. The towel made the move back to Boston (to Watertown) and finally to Wayland. Since its worst days in Maine, it has had a facelift. Doug worked his ‘bleach magic’ and the dishtowel is ready for another round! It will welcome our third child and gets daily use from my daughter Isabelle, who has at least two to three spill accidents a day. It still doubles as an oven mitt and I suspect it will be around for a long time. Now that I’ve actually thought about this towel as something other than a rag, I realize that it has been with me through many changes and stages of my life. Nevertheless it could use a rest!

— Paula L.

A white cloth with a blue stripe and the text "PROPERTY OF THE PULLMAN COMPANY" printed on it.

My father brought these home, we had several of them. I remember him with his uniform— his white coat and his black cap. I remember that a few times when we were on the train he would be working at the same time.

— Velma J.P.

A pinkish-purple cloth with four small holes and frayed edges.
Close-up of a pink fabric with a single small hole.

I lived in Kansas City, Missouri when I was an art student at the Kansas City Art Institute from 1994–1997. I used to make focaccia all the time for dinner. One night I left a newly cooked focaccia on the chopping block. I covered it with the dish towel, because it was still hot from the oven and I didn’t want to suffocate it with saran wrap. I thought the cotton dish towel would let it breathe overnight. When I awoke in the morning, a mouse had burrowed through two layers of cloth into the focaccia below and ate a hole in it.

— Donna M.

Close-up of pink fabric with a tear and frayed edges.
A cloth banner with a border of red and black hearts. The center has a grid and some handwritten text at the top, which is difficult to read.
A paper with a pattern of hearts in red, black, and orange, and handwritten word 'LOVE' on a grid background.

I thought of you when I found this sorry looking dish towel, especially its interesting monograph… lovely isn’t it? I felt that it might fit your project. We’ve just moved back to Iceland, living in an apartment. It’s been ten years since we left… 

— Almadis K., Akureyri, Iceland

A dirty white towel with green stripes along the edges and a hole near the bottom.
A textured white towel with a green and white striped border at the bottom.

This towel is from Molly S. and was accompanied by this quote by Mary Oliver: “You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. I talk directly to your soul. Listen to me. Lift the oars from the water, let your arms rest, and let your heart, and heart’s little intelligence, and listen to me. There is life without love. It is not worth a bent penny, or a scuffed shoe. It is not worth the body of a dead dog nine days unburied. When you hear, a mile away and still out of sight, the churn of the water as it begins to swirl and roll, fretting around the sharp rocks—when you feel the mist on your mouth and sense ahead the embattlement, the long falls plunging and steaming—then row, row for your life toward it.”

— Molly S.

Close-up of beige fabric with a tear and a circular hole with frayed edges.
A fabric table runner with a painted still life of a brown jug, green clover, wheat, daisies, and other wildflowers.
Illustration of various herbs and flowers, including wheat, daisies, and blue flowers, with a light background.
A still life illustration of a brown vase with a yellow top, placed on a patterned yellow and blue dish, surrounded by green leaves and white daisies with yellow centers, and small yellow flowers.

This dish towel came from Latvia where I was born. In 1993 I was able to visit my childhood homeland and brought it back to remind me of the periwinkle and daisy field, my favorite flowers. It has adorned my kitchen ever since. I remember and cherish my visit there. I have another, so you need not return it.

— Zigrīda R.

An old, worn white cloth bag labeled 'Domo Cane Sugar' with faded text.

This towel is from Sullivan, Indiana. I found it in my aunt’s cupboard, in a box in 1953.

— Janet F.

A colorful fabric poster featuring a world map with New Zealand highlighted in the center. The poster has the title 'GODZONE NEW ZEALAND COUNTRY' at the top and includes illustrations of native birds and plants. The map labels various countries and regions.
A colorful illustrated map of New Zealand and surrounding islands, highlighting various notable features and facts about New Zealand, such as world's highest tsunami and world’s coolest geysers, with labeled regions and decorative elements.
A colorful illustrated map of New Zealand highlighting various notable features and facts about the country, such as its largest city, capital, and unique natural landscapes.

—Therese O. 

Former Director of the Govett-Brewster Art Gallery, New Plymouth, New Zealand